'Black Cosmopolitan' exhibit focuses on James Weldon Johnson's diplomatic career
By Maureen McGavin | Emory Report | July 18, 2019
James Weldon Johnson’s leather satchel, from the James Weldon Johnson collection, Rose Library. Photo: Emory Libraries
The newest exhibit at Emory’s Stuart A. Rose Manuscript, Archives and Rare Book Library highlights the often-overlooked diplomatic career of James Weldon Johnson and how his international experiences intersected with his advocacy for black freedom at home and abroad.
“Black Cosmopolitan: James Weldon Johnson in an Age of Empire,” examines Johnson’s early life, his political appointment in the U.S. consular service, and the effect of those years on his future. The exhibit features photos, letters and information from the Rose Library as well as collections in Yale University’s Beinecke Library, the University of Florida and other sources. Among the standout items are a family Bible from 1882 and Johnson’s leather satchel, both from the James Weldon Johnson collection at the Rose Library.
The exhibit, which is in the Rose Library on Level 10 of the Woodruff Library, was curated by Kali-Ahset Amen (14PhD), assistant research professor of sociology at the Johns Hopkins University and former associate director of the James Weldon Johnson Institute at Emory.
“I wanted to put together this exhibit because Johnson was such a significant public figure in his day,” Amen says. “Nowadays, little is known about him except ‘Lift Every Voice and Sing,’ known to many as the Negro National Anthem, which he composed with his brother, Rosamond Johnson. I hope to shine a bright light on his important work, which advanced African American high art as well as civil rights.”
“‘Black Cosmopolitan’ also connects the past to the present, encouraging reflection on Johnson’s legacy in a time of new struggles for racial equity and justice,” Amen adds.
As an early 20th-century American public intellectual, Johnson (1871-1938) influenced the worlds of literature, music, diplomacy and civil rights advocacy. Often remembered as a literary pioneer of the New Negro era, a period during the Harlem Renaissance around the turn of the last century marked by outspoken advocacy for dignity and resistance to Jim Crow laws, Johnson’s roles as U.S. consul to Venezuela (1906-1909) and Nicaragua (1909-1913) are frequently overlooked. His official diplomacy had an impact on his later achievements as a popular artist, press critic and political agitator on behalf of the NAACP.
To prepare the exhibit, Amen worked with two undergraduate research assistants, Adama Kamara (Emory College) and Damali Britton (Carleton College in Minnesota), as well as the Rose Library staff and the Emory Libraries exhibitions team.
The Emory Center for Digital Scholarship is creating digital components for the exhibit related to Johnson’s travels and black internationalist activity, including a forthcoming touchscreen map and an interactive collage of magazine covers.